Marco V – Automanual (Original Mix)
Released in 2003, Automanual is built for DJ sets around a clear melodic idea, steady drive and late-night club momentum.
Explore trackClassic Trance Family Archive
The complete directory behind the Classics experience. Explore every track by artist, label, year and version.
Released in 2003, Automanual is built for DJ sets around a clear melodic idea, steady drive and late-night club momentum.
Explore trackReleased in 2001, Godd is built for DJ sets around a clear melodic idea, steady drive and late-night club momentum.
Explore trackReleased in 2002, Indicator is built for DJ sets around a clear melodic idea, steady drive and late-night club momentum.
Explore trackSimulated captured Marco V’s tech-trance edge, with a mechanical groove and riff that made it a regular tool in tougher club sets.
Explore trackReleased on Superstition, Schoeneberg gave Marmion a driving, minimal trance record that crossed from underground sets into wider clubs.
Explore trackOne of Matt Darey's signature 90's tracks. Absolute glorious melody and vocals from Marcella Woods. What a track.
Explore trackMatt Darey's Original Mix reframes Beautiful for club sets, giving Matt Darey feat. Marcella Woods’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackThe Ferry Corsten Remix of ‘Matt Darey feat. Marcella Woods — Liberation (Fly Like An Angel)’ gives the track a distinct dancefloor interpretation; released in 1999, it remains
Explore trackTemptation Fly Like An Angel reframes Liberation for club sets, giving Matt Darey pres. Mash Up’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackThe Blank & Jones Remix of ‘Mauro Picotto — Iguana’ gives the track a distinct dancefloor interpretation; released in 1999, it remains part of the wider classic trance
Explore track‘Mauro Picotto — Lizard '99’ appears here in the Megavoices Mix, released in 1999, a focused version made for the classic trance dancefloor.
Explore trackReleased in 2003 on In Trance We Trust, Amazon is built for DJ sets around a clear melodic idea, steady drive and late-night club momentum.
Explore trackReleased in 2002 on In Trance We Trust, Monkey Forest is built for DJ sets around a clear melodic idea, steady drive and late-night club momentum.
Explore trackMoogwai — Viola (Armin van Buuren Remix), a defining 2000 trance recording on Platipus Records.
Explore trackReleased in 2001, ‘Moon Project — Moments Are Forever’ is preserved here in its Original Mix, a direct, club-focused snapshot of the classic trance era.
Explore trackSweeping Strings Mix framed As The Rush Comes for big-room trance sets, with its vocal and breakdown becoming key parts of its club life.
Explore trackThe Tall Paul Remix of ‘Nalin & Kane — Beachball’ gives the track a distinct dancefloor interpretation; released in 1998, it remains part of the wider classic trance
Explore trackReleased in 1998, Open Your Eyes is built for DJ sets around a clear melodic idea, steady drive and late-night club momentum.
Explore trackBeachball became Nalin & Kane’s defining record, pairing Balearic atmosphere with a groove that worked across trance and house sets.
Explore trackNexus — Return From Flatliner (Original Mix), a defining 2001 trance recording on Silicon Recordings.
Explore trackReleased in 1994 on Time Unlimited, Brainchild is built for DJ sets around a clear melodic idea, steady drive and late-night club momentum.
Explore trackReleased in 1995, Monastery is built for DJ sets around a clear melodic idea, steady drive and late-night club momentum.
Explore trackReleased in 2003, ‘Nu NRG — Butterfly’ is preserved here in its Original Mix, a direct, club-focused snapshot of the classic trance era.
Explore trackReleased in 2001, ‘Nu NRG — Dreamland’ is preserved here in its Original Mix, a direct, club-focused snapshot of the classic trance era.
Explore trackReleased in 2003, ‘Nu NRG — Supersonik Way’ is preserved here in its Original Mix, a direct, club-focused snapshot of the classic trance era.
Explore track‘OceanLab — On A Good Day’ appears here in the Above & Beyond Mix, released in 2009, a focused version made for the classic trance dancefloor.
Explore trackOriginal Above & Beyond Mix made Satellite a signature OceanLab record, pairing Justine Suissa’s vocal with Anjunabeats-era uplift.
Explore trackDarren Tate Remix reframes See Me Here for club sets, giving Orion’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackThe E-Werk Club Mix brought For An Angel into sharper club focus, turning Paul van Dyk’s melody into a durable late-90s trance standard.
Explore trackReleased in 1994, ‘Paul van Dyk — For An Angel’ is preserved here in its Original Mix, a direct, club-focused snapshot of the classic trance era.
Explore trackRising Star Mix reframes The Sound Of Goodbye for club sets, giving Perpetuous Dreamer’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackReleased on Perfecto, Bullet In The Gun pushed Planet Perfecto into tougher peak-time territory with a vocal hook and club-ready drive.
Explore trackReleased in 2002 on Bonzai Trance Progressive, Silver Bath is built for DJ sets around a clear melodic idea, steady drive and late-night club momentum.
Explore trackReleased in 2003 on Bonzai Trance Progressive, Twixt is built for DJ sets around a clear melodic idea, steady drive and late-night club momentum.
Explore trackReleased in 2002, Reload is built for DJ sets around a clear melodic idea, steady drive and late-night club momentum.
Explore trackReleased on Perfecto, ResuRection brought PPK’s Russian trance sound to international club attention with its dramatic melody.
Explore trackReleased in 2003, Everlast is built for DJ sets around a clear melodic idea, steady drive and late-night club momentum.
Explore trackBeat Pusher Remix reframes Cloudwalking for club sets, giving Pulser’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackReleased in 2003, My Religion is built for DJ sets around a clear melodic idea, steady drive and late-night club momentum.
Explore trackReleased in 2004, Square One is built for DJ sets around a clear melodic idea, steady drive and late-night club momentum.
Explore trackReleased on Bonzai Trance Progressive, Strange World is one of Push’s darker melodic records, built for long, dramatic club builds.
Explore trackThe 2000 Remake revisits ‘Push — Strange World’ with a renewed club arrangement; released in 2000, it captures another chapter in the track’s classic trance history.
Explore trackReleased on Bonzai Trance Progressive, The Legacy pairs M.I.K.E.’s Belgian drive with a lead line made for peak-time trance rooms.
Explore trackReleased in 2000, ‘Push — Till We Meet Again’ is preserved here in its Original Mix, a direct, club-focused snapshot of the classic trance era.
Explore trackClub Mix reframes Tranzy State Of Mind for club sets, giving Push’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackReleased in 1998 on Bonzai Trance Progressive, Universal Nation helped define the Belgian trance sound for big-room DJ sets.
Explore trackThe Ferry Corsten Remix of ‘Push — Universal Nation '99’ gives the track a distinct dancefloor interpretation; released in 1999, it remains part of the wider classic trance
Explore trackReleased in 1993, ‘Quench — Dreams’ is preserved here in its Original Mix, a direct, club-focused snapshot of the classic trance era.
Explore track