iiO – At The End (Scumfrog Remix)
Scumfrog Remix reframes At The End for club sets, giving iiO’s original idea a sharper trance arrangement and stronger peak-time lift.
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Scumfrog Remix reframes At The End for club sets, giving iiO’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackArmin van Buuren’s remix of Rapture brought iiO’s vocal hit into trance sets with a cleaner lift and a more direct club arrangement.
Explore trackFall In Love With Music reframes Right In The Night for club sets, giving Jam & Spoon feat. Plavka’s original idea a sharper trance arrangement and stronger peak-time
Explore trackThe The Thrillseekers Remix of ‘Jan Johnston — Calling Your Name’ gives the track a distinct dancefloor interpretation; released in 2003, it remains part of the wider classic
Explore trackTiesto’s remix of Flesh turned Jan Johnston’s vocal into a trance-club favourite, balancing emotional vocals with a rolling peak-time build.
Explore trackTiesto Remix reframes Imagination for club sets, giving JES’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackJose Amnesia — The Eternal (Pulser Remix), a defining 2001 trance recording on FFRR.
Explore trackThe Jam X & De Leon's DuMonde Remix of ‘Jurgen Vries — The Theme’ gives the track a distinct dancefloor interpretation; released in 2002, it remains part of
Explore trackBrave New World reframes The Opera Song for club sets, giving Jurgen Vries feat. CMC’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackEternia Audio Lab Mix reframes Liquid Skies for club sets, giving Kai Tracid’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore track‘Kai Tracid — Too Many Times’ appears here in the Energy Mix, released in 2001, a focused version made for the classic trance dancefloor.
Explore trackEnergy Mix reframes Your Own Reality for club sets, giving Kai Tracid’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackThe Albion Remix of ‘Kamaya Painters — Endless Wave’ gives the track a distinct dancefloor interpretation; released in 1999, it remains part of the wider classic trance story.
Explore trackThe Angelic Remix of ‘Kayestone — Atmosphere’ gives the track a distinct dancefloor interpretation; released in 2000, it remains part of the wider classic trance story.
Explore trackDJ Jan Remix reframes Man On Mars for club sets, giving Komakino’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore track‘Lightforce — Join Me’ appears here in the Club Mix, released in 2000, a focused version made for the classic trance dancefloor.
Explore trackThe Signum Remix of ‘Lost Tribe — Gamemaster’ gives the track a distinct dancefloor interpretation; released in 1999, it remains part of the wider classic trance story.
Explore trackSong To The Siren reframes Did I Dream for club sets, giving Lost Witness’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackLange Remix reframes Happiness Happening for club sets, giving Lost Witness’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackLange Remix reframes Red Sun Rising for club sets, giving Lost Witness’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackWay Out West Remix reframes Broken for club sets, giving Lustral’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackNalin & Kane Remix reframes Everytime for club sets, giving Lustral’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackDayglo Mix reframes Floor Essence for club sets, giving Man With No Name’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackThe Taucher Remix of ‘Marc Et Claude — La’ gives the track a distinct dancefloor interpretation, preserving its place in the wider classic trance story.
Explore track‘Marc Et Claude — La’ appears here in the Moonman's Flashover Mix, released in 1998, a focused version made for the classic trance dancefloor.
Explore trackMatt Darey's Original Mix reframes Beautiful for club sets, giving Matt Darey feat. Marcella Woods’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackThe Ferry Corsten Remix of ‘Matt Darey feat. Marcella Woods — Liberation (Fly Like An Angel)’ gives the track a distinct dancefloor interpretation; released in 1999, it remains
Explore trackTemptation Fly Like An Angel reframes Liberation for club sets, giving Matt Darey pres. Mash Up’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackThe Blank & Jones Remix of ‘Mauro Picotto — Iguana’ gives the track a distinct dancefloor interpretation; released in 1999, it remains part of the wider classic trance
Explore track‘Mauro Picotto — Lizard '99’ appears here in the Megavoices Mix, released in 1999, a focused version made for the classic trance dancefloor.
Explore trackMoogwai — Viola (Armin van Buuren Remix), a defining 2000 trance recording on Platipus Records.
Explore trackSweeping Strings Mix framed As The Rush Comes for big-room trance sets, with its vocal and breakdown becoming key parts of its club life.
Explore trackThe Tall Paul Remix of ‘Nalin & Kane — Beachball’ gives the track a distinct dancefloor interpretation; released in 1998, it remains part of the wider classic trance
Explore trackBeachball became Nalin & Kane’s defining record, pairing Balearic atmosphere with a groove that worked across trance and house sets.
Explore track‘OceanLab — On A Good Day’ appears here in the Above & Beyond Mix, released in 2009, a focused version made for the classic trance dancefloor.
Explore trackOriginal Above & Beyond Mix made Satellite a signature OceanLab record, pairing Justine Suissa’s vocal with Anjunabeats-era uplift.
Explore trackDarren Tate Remix reframes See Me Here for club sets, giving Orion’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackThe E-Werk Club Mix brought For An Angel into sharper club focus, turning Paul van Dyk’s melody into a durable late-90s trance standard.
Explore trackRising Star Mix reframes The Sound Of Goodbye for club sets, giving Perpetuous Dreamer’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackBeat Pusher Remix reframes Cloudwalking for club sets, giving Pulser’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackThe 2000 Remake revisits ‘Push — Strange World’ with a renewed club arrangement; released in 2000, it captures another chapter in the track’s classic trance history.
Explore trackClub Mix reframes Tranzy State Of Mind for club sets, giving Push’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackThe Ferry Corsten Remix of ‘Push — Universal Nation '99’ gives the track a distinct dancefloor interpretation; released in 1999, it remains part of the wider classic trance
Explore trackThe UMEK Remix of ‘Quench — Dreams’ gives the track a distinct dancefloor interpretation, preserving its place in the wider classic trance story.
Explore trackTxitxarro Mix reframes In Silence for club sets, giving Randy Katana’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackThe Cosmic Gate Remix of ‘Rank 1 — Awakening’ gives the track a distinct dancefloor interpretation; released in 2002, it remains part of the wider classic trance story.
Explore trackR.E.Mix reframes Circa-Forever for club sets, giving Rapid Eye’s original idea a sharper trance arrangement and stronger peak-time lift.
Explore trackR.E.Mix reframes Stealing Beauty for club sets, giving Rapid Eye’s original idea a sharper trance arrangement and stronger peak-time lift.
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